Florence & Giles, by John Harding is unlike anything I’ve read before. Sure, I’ve seen the Gothic elements before, but I’m talking about the language. At first I was like, “Jeez, there seems to be a few errors.” then I was like, “Have I forgotten English?” then I realised, “Ah!” and then it was like, “Holy shit! I love this!”
…for a girl my age I am very well worded. Exceeding well worded, to speak plain. But because of the strict views of my uncle regarding the education of females, I have hidden my eloquence, under-a-bushelled it, and kept any but the simplest forms of expression bridewelled within my brain. (5)
Florence is a girl who has been banned from reading. “Banned from reading?” I hear you say. “Bollocks to that!” You’re damn right, and Florence does not accept this rule of ‘illiteracy’ implemented by her uncle. While her younger brother, Giles, is sent off to school, Florence whiles away her days by sneaking into the library to read. From The Monk, by Matthew Lewis (yeah, I know what you’re thinking — and she’s only a young girl!) to The Woman in White, by Wilkie Collins, The Mysteries of Udolpho, by Ann Radcliffe, and Jane Eyre, by you-know-who, it is clear that this 12-year-old is more cultured than me! Yeah, yeah, they’re on my TBR list, I assure you. Well, I’ve started The Mysteries of Udolpho… but anyway, back to the review.
When you read this book you see, hear, and feel her invented language. It’s very beautiful, and pleasing to the senses, in my opinion at least. This was another “Holy shit!” moment (it’s a long quote, because I loved it so much):
All I awared was that she neglected Giles, in whom she had less interest than in brushing her hair and mirroring her looks; I innocented her true nature and when she tragicked upon the lake I near drowned myself in a lake of my own tears, it so upset me. I thought her merely foolish and I guilted I had so despised her almost as much as I guilted that I did not save her, even though it impossibled me to do so, and kept thinking ‘if only I had this’ and ‘if only I had that,’ even though all these things would nothing have availed. (72)
I really wanted to add the entire block of text, as I found it so mesmerising, but it is indeed quite long as is. Now, I know what you’re thinking, but please calm down. I definitely would not consider this a spoiler. This particular scene is mentioned in the blurb. I merely wanted to give you a taste of the beauty of this novel; of Harding’s story, and of Florence’s words.
So, the story
As you know, Florence is pretty well trapped inside a mansion with nothing to occupy her time. She is encouraged to take up embroidery (as many of her sex are encouraged to do), instead she uses the opportunity to hide her books beneath her work, and sneak a read whenever possible.
I have to say, as I side note, I am just loving reading all these books about women who defy their oppressors. Though, as you know (and from my reading of other works of the genre), most of those women are seen as a disgrace to their sex and are committed to asylums, to “cure” their waywardness. Or silenced, as I’ve discussed in other posts. In any case, they have been enjoyable reads, and quite empowering too! And, in reading these types of books, I am compelled to write a short essay on why “neo-Victorian” literature is becoming a means of conveying female empowerment.
Sorry, no more distractions
Florence also finds a kind of safe haven where she can read for hours without disruption. I’d honestly love something like that; a place, like Florence’s, where it’s difficult for others to access. I’m thinking something like a hidden room behind a book case! Sigh! Damn my wandering mind.
When Giles gets kicked out of school, Florence feels a sense of respite — they’re finally back together. But their bliss is short-lived when, after the death of their governess, a second one arrives, who completely overshadows the first in evilness. For while the first (Miss Whitaker) “unlibraried” Florence and the second (Miss Taylor) actually re-instated her librariedness (now I just made that one up!), Miss Taylor’s true motives soon become clear. To Florence, she is a spectre who wishes to do Giles harm. This (Part Two of the novel) is where the Gothic conventions are really thrown in your face. You cannot help but wonder if Miss Taylor truly is the evil spectre (of a vendetta-fuelled Miss Whitaker) as Florence imagines, or if her actions are misunderstood, and that Florence merely creates an enemy in her for she fears losing her brother — it is one thing to be lonely by yourself, and entirely another thing to be lonely because your brother has been stolen away by the affectionate hand of a stranger. In either case, I was hypnotised by every aspect of the novel, and scrupulously analysed every word, every action, because I was looking for clues, and even the tiniest moment was significant. For this reason, the book deserves at least a second read through — I want to take in each moment again, with the wonderment of hindsight on my side!
A love interest?
Yeah, there’s a bit of that going on. Theo Van Hoosier dotes on Florence, and even writes her terrible poetry in his attempt to win her. Still, terrible poetry is kind of sweet, if you like the guy (or girl). Their relationship sort of reminds me of the relationship between Eleanor and Mr. Ashwood (Henry) in my historical fiction, Eleanor. It’s a relationship that’s one…um… no, it’s probably best I don’t divulge any more.
And because I can’t help being cryptic, I must say, I do wonder about this line though…
My heart hopelessed a bird-in-a-cage flutter. (107)
And damn the beauty of it! Damn Florence and damn John Harding!
You guys know how picky I am with endings, but this novel’s ending… oh my god! I loved it. It was brilliant. Though I had an inkling of what was to come, Florence really came to life at the end, and I did not expect that. Her true nature — all the dark, macabre parts — was so thrilling to read. It was simply survival; her need to protect her brother (but perhaps she was influenced by her literature as well?), and I drank it up so easily. I loved her dark side.
Of course, I will not spoil it, I just had to tell you how much I loved Florence’s callous nature. It was beautiful, in a way. In a macabre way, haha! I told my partner about one particularly dark scene and how I loved it so much, and would possibly do the same were I in her position, and I was met with a face stricken with horror. Hmm… maybe I shouldn’t have said that!
Florence & Giles has certainly convinced me to get cracking into The Turn of the Screw, by Henry James — another in my TBR bookcase, and a book which inspired Harding’s novel — and I will absolutely have to get myself a copy of Harding’s novel, The Girl Who Couldn’t Read.
Oh my god! I just went to my study and found that I already have a copy of it, haha! I will get into it asap. But, has that ever happened to you? You buy a book then realise you already have a copy? I have two copies of The Last Man, two of Jane Eyre, two of Beloved, and probably a lot more double-ups than that. Jeez!
Anyway, Florence & Giles was an amazing read, and I will absolutely be reading through it again soon. I highly recommend this book if you’ve read any of the works or authors that Florence has read, such as Radcliffe, Lewis, Collins, Brontë, Coleridge, Poe, Shakespeare, Scott, Austen, Whitman, Longfellow, Trollope, Eliot, Wordsworth, Dickens, Keats (though not sure about The History of the Decline and Fall of the Roman Empire, by Edward Gibbon). But I’d say, particularly, Gothic horror.
N.B.: There are some theories about this book; about the characters, their origins (Miss Taylor, for example appears seemingly from nowhere), their actions (whether they were just, for instance), and I am a little uncertain myself, I confess. I have my own theories, and I would love to hear yours. So, drop me a line if you wish to chat all things Florence & Giles.
I rate this book a Wuthering Heights.
10. Wuthering Heights – Emily Brontë
9. Wormwood: A Drama of Paris – Marie Corelli
8. Tess of the d’Urbervilles – Thomas Hardy
7. Rebecca – Daphne du Maurier
6. Harry Potter and the Prisoner of Azkaban – J.K. Rowling
5. Fox in Socks – Dr. Seuss
4. The Da Vinci Code – Dan Brown
3. The Catcher in the Rye – J. D. Salinger
2. Dune – Frank Herbert
1. Fallen – Lauren Kate
0. 50 Shades of Grey – E. L. James
Read more about the scale here
Harding, John. Florence & Giles. Blue Door: London, 2010. Print.